While some may feel cheated by the controlled guidance as the plot unfolds, the imagery and character development attentively draws them in. The twist, when it happens, only serves to make a deeper connection. Eventually it all fits together into one, unexpected, whole.
Share via Email Look out! The island is almost permanently shrouded in an ominous, concealing mist. Twist coming … Leonardo DiCaprio and Michelle Williams in Shutter Island One gets the impression that Martin Scorsese suffers somewhat from the exalted standing of his own back catalogue when it comes to critical notices.
The hospital itself is a contradiction: A relentlessly chilling mystery and a white-knuckle thriller, the film is keenly directed, superbly acted, and the cinematography perfectly captures the eerie, creepy nature of a textbook cursed, disquieting, windowless, labyrinthine mental asylum.
He arrives on the ferry with his new partner Chuck Mark Ruffalo and, though still suffering the ill-effects of seasickness, immediately gets to work looking for the lost prisoner.
Both involve hazardous terrain to negotiate, above vertiginous falls to waves pounding on the rocks below. But perhaps you disagree? However, I admit everything looks good and fits together, and the film packs a fair-sized punch.
It is, as they say, a dark and stormy night. For now I can only tell you about the story I thought I was watching and let you discover that other story for yourself in theaters. Getting off the island alive is another trick entirely. Light leaks out of the sky.
If he can balance his desire for revenge with his mission of locating Rachel and outing the hospital for conducting inhuman experiments on its patients a conspiracy he believes is being carefully safeguardedhe just might get to the bottom of it all.
In doing so he leaves us with all the answers we need, but without answering all of our questions. By the time Shutter Island gets to its twist, it has already told such a tale. How suitable for the depiction of venues which must appear not altogether real.
At times it seems as though nature itself is against Teddy.
Cigarette smoke wafts through the air, obscuring a face and then clearing away as the individual reveals something important.
Those easy to miss subtleties linger in your subconscious and hang around until you need them. We may be well aware that there is something unreliable about the narrative being woven before our eyes, but that never stops us from being desperate to know exactly what is going on.
The goal of the story is to keep viewers guessing, and while some may pride themselves with the ability to predict the twists and turns, simply watching the events unfold is so enthralling that it proves to be more entertaining than knowing how it all turns out.
The two men are ostensibly on the island to investigate the strange disappearance of a patient locked up after murdering her three children. Scorsese uses his mastery of visual style to full effect, playing with even the most mundane trappings of a scene in creating an atmosphere that hints at something else beneath the surface.
But is the staff really uncooperative? Had it been filmed by a newcomer, rather than the familiar, bushy-browed cineaste who shot Taxi Driver, Goodfellas and The Departed, Shutter Island might just have received top notch reviews all round.
A possible hurricane is approaching. Rain pounds against the windows while lightning flashes electrify a room as if Teddy is being fried from the inside out.
Much of the film is manipulative, redirecting away from the truths and introducing new elements to bewilder and distract. From the minute they disembark, US marshal Teddy Daniels DiCaprio and his new partner Chuck Aule Mark Ruffalo are confronted by a nightmarish, gothic bedlam of lost souls and sinister seeming doctors and psychiatrists, including the mysterious Dr John Cawley Ben Kingsleythe man in charge of the place.
Scorsese has fear to evoke, and he does it with many notes. Shutter Island is a fiercely twisted, complex film built on a foundation of character-driven emotion. That is perhaps understandable.
It should also be mentioned that the cinematography, by Robert Richardson, has created such a vividly otherworldly setting that I wondered several times whether certain buildings and locations were being rendered in Sin City-style CGI.
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You review: Shutter Island "In Shutter Island Scorsese opens the film-noir casket and plays about with the contents – for his pleasure and at our expense," writes Kate Muir in the Times.
The music would have audiences believe that “Shutter Island” is a horror film, and the first-person-perspective ride through the gates of Ashecliffe is like “Jurassic Park” if.
“Shutter Island” is a movie that is not only dedicated to delivering flawless scenery and a storyline about a mental institution locked away with a deep, dark secret away from civilization, but instead, the majority of the film is actually a character study with Teddy Daniels as the main subject.Download